The first thing that hits him is the smell. The stench of shit that somebody tried to cover up with a sugary-sweet votive candle. It makes his eyes sweat. He gags, “Jesus,” into his sleeve. Their quarry is, ironically, nowhere near the toilet. Poor bastard swelled ten times his size, and weighs as much as a basketball. The petroglyph’s cord punctures skin, lets out a swell of gas like an exclamation. He does throw up then.
Bodies kink and judder before him. Even without the lasers it would be surreal. His contact is fishing mushrooms from a plastic baggie, dealing to a bunch of suburb kids disguised as ravers. He lowers his balaclava and yells –side hall, men’s room—as if he could be heard over the beat. The contact has more than ears, though. Even when their deal is done, he’s not sure what he saw. The kids stand still as he leaves, mouths open like turkeys in the rain, breathing spores like smoke.
The antiquarian smiles and slops tea over the sides of a Wedgewood cup. It’s a good brew, smells of stiff poison. He’s almost sad he won’t get to drink it. There, the man’s finger points, there and there. There are books, yes, but then anything can be a book. He eyes the paperweight as Latin texts are thrust beneath his nose and fingers his watch. Sigils older than Rome creep under glass. Sometimes meaning transcends language.
Some thoughts spread like wildfire. Others like pox. He catches a little tune on the train to Providence and nearly loses himself to it. It’s everywhere right now. Such a catchy beat nobody notices the tribal rhythm beneath it, the hungry harmonies. He takes a pill to drown it out, but others aren’t so lucky. He disembarks to the news of a rash of sleeping sickness.
The worm that walks is a friendly fellow if you catch him in the right mood. He’s got a smooth pitch and a firm yet yielding handshake. He’s got a healthy following, a good portion of the middle United States leaves their homes to camp hungry and destitute on the road with him. His poison is the unadulterated truth, and leaches into everything.
Light glints from cases of Jasper and Calcite while the sign before him proclaims this limestone block to be the largest Crinoid specimen found in the basin. The odd eye-shaped marks along the stern apparently hadn’t disturbed the man who unearthed them, though presumably they hadn’t blinked as they do now. He walks out with a heavier coat and the theft is never solved.
The word apocalypse means “rending of the veil,” not the end of all things, he tells her, but she is in no mood to bandy semantics. Something immeasurably huge parts the distance and she screams with her whole body, a primal scream that recalls ancestors just beginning to walk upright. He finds her lovelier than anything then, and would give much to preserve this moment just like it is. The sky vomits a blind sun and his wish is granted.