Tag Archives: creepypasta

Dream Journal

July 1st

The falling dream again.

 

July 8th

A flock of roaches took the shape of a man in a trenchcoat and begged me to extend them a line of credit. They would not leave, not even after I threatened them with fire and the lash.

 

July 10th

My brother’s death. In this one I arrived in time to hold him in my arms as he drew his last breath. I am never earlier than that. I suppose part of me will go on blaming myself for it.

 

July 15th

The lake dream again. I’ve decided to give up bathing. The thought of being submerged in anything makes my skin crawl.

 

July 20th

A series of dreams where I woke up and checked behind the door. Each dream ended the second I touched the knob. Each new dream started a second after that.

 

July 27th

Phillips started stocking the violet pastilles again. I dreamed the round I bought was porcelain and an unchecked bite broke my molars. Phillips refuses to special order anything for me.

 

August 1st

I was descending a ladder into the sewers. I did not dream of entering them, and I never reached the bottom. Simply descended, rung after rung. My arms began to shake and my hands tired, but I could not stop myself descending. I think my reasoning was that I had to hit bottom eventually. When I woke, my shoulders were sore from my sleeping position.

 

August 3rd

That girl, Bettina Kane, I had a crush on in grade school. Her skin broken out in spider bites, her hair a nightmare web. She slavered as she told me she was ready to elope. Her mouth was a jagged hole of blackness.

 

August 7th

I was in Phillips’ store, and the lot of them were trying to convince me my name was Bachmann. I’ve never even known a Bachmann. Could this have something to do with my indecisiveness on the new art exhibit?

 

August 10th

I took a long, cold walk to the edge of town. There I stopped and stared at a rock no different than the one either side of it. Then I dreamed the long walk back; every footfall, every dull breath. I had to check my sheets to make sure I hadn’t tracked in dirt.

 

August 13th

I did not get to sleep until after 1 am. My alarm somehow defaulted to the chime it came installed with, and the song crept into my dreams. It was part of a piano recital I could not leave. I woke at 6 and could not lay down again. I cannot nap.

 

August 16th

In-between dreams I have a black expanse of nothingness. I like it less than even the worst dream.

 

August 19th

Dreamed I walked to Phillips’ store and bought a pack of saltines and a new pen nib. Woke up to a half-eaten cracker on my pillow. I don’t know what to believe anymore.

 

August 20th

Phillips swears I came by. He also swears my appearance has changed. In my dreams last night I wore a hat as I hunted my doppelganger through the city.

 

August 23rd

My brother died again. He had miraculously resurrected and while out looking for me, he fell from a building. I did not cry in my dream, but my pillow was damp with saltwater this morning.

 

August 24th

Phillips claimed I ate his last round of Gruyere. I think he’s just trying to offload his odds and ends and blame me. I did not dream last night. I don’t even like Gruyere.

 

August 30th

The lake dream again. This time there was no land. I tread water and let the chill steal the feeling from my body. Maybe I’ll die soon.

 

September 2nd

I did it again. It wasn’t until Phillips called me Bachmann that I realized I was in a dream. This morning I have a new pack of cigarettes and some mints he swears he sold me. I will tie my ankle to the bed and get to the bottom of this.

 

September 3rd

My brother came and untied my foot. He explained that it was my job to wander out into the world because I was the last member of our family left alive. Sleep was immaterial. My ankle was still tied when I woke.

 

September 8th

I had a dream of being cognizant through my own funeral. It was very much like an interminable headache.

 

September 14th

I dreamed I sat down at this very desk and wrote all these pages, all these entries, one after one. This morning I turn each crisp page spotted with my handwriting and I just wonder. I can’t prove it one way or the other, can I?

 

September 21st

After weeks of no dreams, Bachmann came. He looked like me, but he was not me. He thanked me for holding this place for him, but now it was my time to go. I denied his agency after seeing how he cast a distorted reflection in my mirror. I took up this journal to write, and he stares at me as I inscribe these pages. We shall see who bends first.

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The Devil Whale

In Lingit it is called the T’oohchx’é. Pacific northwestern fisherman call it “the devil whale.” It may just be a melanistic Orca lacking the white markings of its brethren, if it exists at all. And it has terrorized a patch of the arctic sea all through recorded history.

The village of [Seal-upon-the-rock] gathered on the ice. When we rose with the sun, we found them at the edge of the floe. A song came that was too terrible to hear. Our men fell to the ground and plugged their ears, for the song compelled their feet to the water. One by one the others flung themselves forward into a hole that formed in the water. When the last child was gone, the hole closed and we saw that it was a mouth. The song fell silent and the beast at the edge sank into the water once more. We did not take our boats that way anymore.

—unnamed elder, Oral History of the Arctic

The first possible sighting of such a beast was well before 500 BCE, if the oral history of the Tlingit people is to be believed. According to the Xunaa Ḵáawu people, the devil whale was part of the world before raven stole daylight. In those days a great fish swam in the sky and ate whatever fit into its mouth, which included unfortunate villages. When daylight was brought to the people, the fish fell to the water with a great tail of fire and could never rise to the sky again. The beast was far more fearsome than the polar bear or even other whales, so unpredictable was its behavior. Several Tlingit settlements have been discovered over the centuries since European contact, preserved nearly intact by permafrost, abandoned as if the villagers had stood up in the middle of their day and walked off. Corresponding oral history points the finger at the devil whale luring said villages to their doom. As of yet, no scientific explanation for the disappearances has been found.

…soon we were yawing against the wind, the great beastie caught hold of our chain and pulld us in[…] she looked as another wale til she opened her mouth which split most the length of the bodie. Half our ship was down the gullet before we could scream.

—Eustace Gabb, surviving crewmember of the Meritus

With the explorer’s age in full swing and whale oil in high demand, it seems only natural that the next accounts come from the survivors of shipwrecks. While stories of krakens and monster fish were the common feed of broadsheets, tales of “the devil whale” gained a distinction among the collectors of seafaring legends. The SS Jeanne-Marie was chasing a pod of Right whales off the coast of modern-day Yakutat when they noted a heretofore-unseen behavior in the pod. The whales began a frenzied circulation around the ship, churning the water into a torrent which spun the ship clockwise. The calves, once confined to the protected center of their family’s formation, began colliding in panic. A noise the sailors initially attributed to the crack of a glacier calving rose in height and pitch until “…[the whales] floated as lifeless on the surface.” An adult female and three calves were sucked beneath the surface by a whirlpool. The whales remained insensate for a period of half an hour after the incident, at which point the crew reinstated efforts to harvest the remaining pod. As they cut into the skin of an adult female, the rest of the pod woke from their stunned state and began attacking the ship, leading to a 2-meter hole in the starboard hull. The crew ceased their harvesting efforts and attempted emergency repairs, eventually abandoning the ship for the longboats.

I watched it chase a calf it had separated from the pod for the better part of an hour. At one point the calf beached itself in an attempt to reach a barachois, but it wound up being pulled back by this dark mass. I never got a good look at it, but it was faster than any whale of that size should be. Finally, the calf got too tired to run anymore and it got sucked beneath the surface.

—anonymous Kayaker

The marine biology skiff Uriah Heep was trawling the greater Juneau bay when the underwater microphone picked up the song of a pod of Pilot whales. At approximately 35:00 hours, the  recording equipment registered an anomaly: a frequency of 45.6 hertz, well below that of the blue whale. Over the course of ten minutes, the frequency rose until it equaled that of the Pilot whales, overlaying and mimicking the pod’s song. The boat’s radar at this point picked up a solid object traveling directly towards the pod, rivaling in size a humpback or right whale. The whale songs mingled and reached a fever pitch at the same moment the object overtook one of the lead whales. At some point the mass disappeared from the radar and the whale song continued, minus two voices.

…[the boat] circled the bay for two days. Two! At one point I sent up a flare but no one saw it. My provisions ran low, but I kept trying. That thing was far too large, it could swamp either of my lifeboats easily. Finally I got ahold of someone within radio distance and that was the aerial rescue. I think it knew I was leaving, it tried to tip the boat before the pilot reached me. If it was a whale I never saw it breach.

—James la Pierre, yachtsman.

The deep-sea exploration vessel Newton was observing polyp formation on the bed of the Arctic sea when it found a heretofore unmapped crevice in the sea bed. Sensors registered a temperature hike of 30-40 degrees at the mouth of the crevice. The explorer circumscribed the opening, trying to parse whether the temperature indicated a volcanic vent. At a certain point in the journey, the Newton’s light hit an illuminated sphere roughly the size of a soccer ball. The Newton sat attempting to discern whether it was simply a bioluminescent patch of bacteria or something else when a black material slid over the sphere from either direction, met in the middle, and then retracted. Before the crew could truly parse the nature of this movement, the vessel was upset by a sudden current and just barely managed to avoid crashing upon the nearby sea floor. After the sediment settled, the Newton was unable to find the crevice again.

My cousin lived out by himself in a shack. That day I wanted to visit with him for a few hours. I found him out standing on the shoal. There was this whine like I had tinnitus. George didn’t look back at me, just put his arms out and dropped. I ran to where I’d seen him, but there was no body on the waves. The sound stopped.

—Mary Bedard

The fishing village of Temper’s Point in the upper part of the Alexander archipelago was celebrating their Sesquicentennial in December of 2013 when half the village populace(roughly 47 people) went missing around the waterfront. A background noise akin to the more famous Taos hum has been detected periodically since the event.

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The Oolio

This town is a tourist town. Yes, it’s one of those signs you see from the highway when you speed by as fast as humanly possible: “see the great whatsit!” Most towns have something you can find in any state, like bigfoot. Not us, though. We’ve got the Oolio.

Ask any old timer on the high street and he’ll tell you the Oolio is old Choctaw for “man-swallower.” Bunkum, of course. If the name Oolio showed up before 1964, I’ve yet to see it. Still, the town treats it like it’s a real old legend. The tourist center’s full of pioneer gear and daguerreotypes. A sharp eye might gather that the colloidal snaps only record day-to-day business of a mining town, nothing supernatural, but I guess half the fun is fooling yourself by telling yourself you’re not fooled.

There’s a tour, of course. Man they call Skinny runs it, he’s the best. Folks might not be so charmed by his old cowboy act if they knew his nickname came from the surname Skinner and that he really hails from upstate New York. But Skinny’s such a good act it doesn’t matter that he ages his levi’s with a belt sander.

Skinny’s a volunteer, of course. Everyone who works in the tourist center is. Town’s kept afloat on volunteer work, that’s just how it is. Skinny’s not paid in anything but the adoration of his public. The way he sweeps and bows off that stoop from the tourist center, you’d think he was Hamlet. He’s earned it, though. As one performer to another, I have nothing but respect for the man.

Skinny takes them through the logging tracks, where firs barely taller than your kneecaps are trying to replace the great flaming birch that was all cut away. He talks about the town history first, just a little nugget of something dull to whet their appetite. He knows why they’re there. Skinny takes them up to the old logging camp, where the mess hall is the only building left standing. He gets to the pump in the middle of an anecdote about the time McKinley thought about riding through on the railway when suddenly he’ll break off in mid-sentence. I’ve timed him before, he reaches the pump after five minutes on the dot. The man is a consummate professional.

“Say, any of you folks hear about the Gaffey party?” He’ll ask like it’s a complete mystery as to why they’ve come. The name Gaffey is plastered all over the visitor’s center, which squats on Gaffey road. But the folks will go wide-eyed, shake their heads. They’re so hungry for the story they’d drink their own sunblock.

Skinny puts his arm up and lean on the pump. “‘Bout fivescore year ago—that’s a hundred for you city folks—there was a flock of hunters up this way. Fella by the name o’ Gaffey was in it, ‘long with his brother and his cousin, fella name o’ Croot. They were chasin’ a mean elk up to these parts, a big beast who could feed their families for a week. They decided to water in this camp because it was the only game around for miles. They had full run o’ the place so they decided to bunk in separate lodges. After all, they were alone…” he’ll leans forward and drops his voice. “Or were they?”

Skinny keeps a tin can full of gravel on his person, always takes it out right here. He circles the group, rolling it in his leathery hands as he watches them with a sadistic gleam in his eye.

“They put up for the day in the mess lodge. Nathaniel Croot, he started the fire. Only it was smoky, on account of some kind of blockage in the chimney. They put it out and ate by lantern light.”

Abruptly, he shakes the can. Ka-shk. Ka-shk. The hairs on people’s necks rise.

“They hear summat.” Ka-shk. Ka-shk. “Outside.” Ka-shk. Ka-shk. “Sounds a lot like this here rattler.” Ka-shk. Ka-shk. “Only there’s no gravel out here, unnerstan’. Nothing around that would make this sound.”

Once Skinny circles back around to his starting point he palms the can, playing idly with it like it’s a pen he’s just picked up by chance.

“The brothers, they’re too tough to be put off by noises. Caleb Gaffey gets his shooter and creeps up to the winder. There’s a face at the glass.”

Skinny throws the can with a horrible crash. There are always, always gasps.

“The thing he spies is dead white, hairless, pink eyes that glow in the lantern light. It don’t look right. Takes Caleb a while to figger out it’s because the whole damn thing’s upside-down. It’s hanging from the roof to scream through the winder at them. Caleb gets off two shots. Pow! Pow! Nothing.”

Now Skinny puts on a conspiratorial grin. He beckons the group with him, like the Pied Piper calling to a bunch of naughty children. They hesitate, they always do, but they follow him.

Skinny talks as he walks: “There’s no sleep that night. The brothers agree to bunk up in the mess hall. Abraham Gaffey, that’s the older, he takes first watch. But Croot, he thinks it’s all hooey. He calls a lodge all to himself that night, laughing all the way to bed.”

By this time they’re in the camp proper. They can see the old buildings, slate roof caved in by the years but log walls standing firm and strong even now. They can feel a tickle of fear as they put themselves in that dark night so long ago, so far away from any kind of safety.

Skinny turns to rest his back deliberately on a door that has been artfully crafted to look like the one it replaced.

“The brothers pin up an old gunny-sack on the hole. No one sleeps, despite the watches they set up. Abe knows the thing will be back, he’s got the hunter’s instinct. To keep himself awake, he grips a handful of nails.”

Skinny leans forward and drops his voice, so the tourists have to get closer to hear him. “But they watch the wrong place.”

He turns about-face and slaps the door open, so it hits the side of the building and shimmies a little. The large chunk of missing wood that looks like a bite mark winds up pointed right at them. They draw back. Oh, he’s good. He’s very good.

“Whatever-it-is takes a flying bite out of that door. Whatever-it-is screams like a steam engine as it shakes the hall. Whatever-it-is took Abe’s whole pan of powder and every bullet without stopping. Quick as a flash, Caleb upends the old potbellied stove.” Skinny acts it out through mime. His folksy accent gets thicker with every word. “They roll it over, jest the two of them, to the door. Abe sticks his packing rod in the latch, so the door can’t swing free. Cold and hungry and scairt, they wait up against that potbellied stove and that old door til dawn. The thing screamed right up until sunrise.”

Skinny pauses to take a breath, which lets the group take a breath. They have all been through an ordeal.

“The two brothers roll out that stove and come out. Of the trees surrounding the clearing, not a single branch had a leaf left on it. They go to the lodge to find cousin Croot stone dead, throat torn away but not a mark on him otherwise. Not ones to look a gift horse in the mouth, they lit a shuck out of there.”

Skinny clasps his hands. “That was the first sighting of the thing they call the Oolio in these parts. Abe Gaffey lived to be ninety-one years old, and I tell this the exact way he told me.”

Everyone’s shaken and laughing, everyone’s got the afterglow of a good performance. Most will wander back to the gift shop or accompany Skinny down to the saloon that serves sarsaparilla and horehound tea. But sometimes, every great once in awhile, there will be a straggler or two. They’re out-of-towners who feel the signs don’t apply to them. Or they’re wannabe explorers ready to cut through the brush. Or they’re looking for the bathroom.

That’s where I come in.

I like to situate myself on a particular path leading away from the camp. There’s a couple of these, actually, but I get people to take this one more often than not. How? I’ve cultivated every intrusive plant in the area at the entrances of the other paths.

They amble along until they’re out of earshot of the logging camp, when suddenly they clear a bend in the path and find me. I’ve got a bike with a bent front wheel and an overstuffed bag. Too many things to carry.

“Hey there, folks,” I say, “could you—whoops!” and an expensive-looking camera falls out of my hands and cracks open. I even put film in it to make it more authentic.

They’ll help of course, they’ll rush over and scramble, all while I apologize and beg them not to fret over little old me. I’m just out here being an idiot, I guess, my wife told me to stay with the group and whoops there went my GPS unit.

After they try long and fruitlessly to assuage my clumsiness, they’ll ask to escort me back to the visitor’s center. Oh gee, would they? It’s not far, it’s just this way.

I point them down another path. Sometimes it throws them off. Surely they should go back the way they came?

It’s got to be this way, I assure them, it’s got the green bands.

Every path in this area is marked “safe” by wooden stakes linked together by green bands. Easily purchasable at any hardware store, nice and mobile so I can uproot them at a moment’s notice.

They look down the path, doubting. Am I sure?

Of course this is the way back, I just came this way.

I talk up a storm as they lug my gear down the path, spinning personal anecdotes that carpet their ears and keep them from worrying. As the branches close in and make the path claustrophobic, I keep pressing them on. Just a little further. Just a leeeeetle further. Did they see it opening up yet?

I’ve got a crank flashlight that I click on as we go further into the brush. As they get uneasy, they ask questions. How long had I walked? What happened to my bike? Was I a townie or a tourist? They don’t want to ask the question that’s simmering in their mind, because that would make it real.

The trail dead ends. They’ve started walking ahead of me in anticipation of fleeing at the first sign of an opening. Now they blink at the remnants of a camp. My camp.

“Where’s the visitor’s center?” they ask.

“It’s back the way you came,” I say, clicking off the flashlight.

Then there will be a news story, some speculating about suspicious wounds, and a fruitless manhunt. The last guy they pulled in was so schizophrenic he couldn’t even work his zipper, much less scoop a throat out. They’ll urge people not to come here, which will make them swarm thicker than flies. And for a while, this little town will be bustling again.  After all, the town’s kept afloat in volunteer work. My only pay is the satisfaction of a job well done.

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The Echo Pipe

The echo pipe stuck straight out of solid bedrock. 3 ¾ inches of rusted iron, it was Hawley’s biggest mystery. Mrs. Strickland’s spontaneous combustion and the meteor shower that made the town smell like spent matches lagged behind in the dust. Those were one-time things. The pipe was ongoing.

The bit of road that curved before it went into a tunnel leading out of town, that was where you found the echo pipe. On the hottest day, you could still feel a cool underground breeze wafting out of the mouth of the pipe. That’s how folk knew it was real, not just a bit of leftover sewer pipe stuck in the mountain by some joker. Maybe once the pipe had been capped, or maybe it continued into the ground and that section had broken off, but now the end was a jagged mess. The legend went, if you put your ear (carefully, those shards were sharp) to the hole, you could hear an echo back before you even said anything.

Hawley kids have been using the pipe as entertainment for decades. It’s a telephone, planchette, almanac, and confessional all in one. Early days, the pipe would only give an echo out after you said something into it. Nowadays, all one has to do is wait and something will come out. Girls will have listening parties, collapsing into giggles the second they hear a man’s voice. Boys will ascribe terrible crimes to the sounds they hear, labeling every conversation as some sort of code. Once in awhile some loner will pretend the echoes coming from that rusted hole are part of a conversation being held with them and only them. They usually give it up after the strain of belief becomes too much, usually two-three days camping out by the pipe. It was one of these loners that was the unwitting instigator of the end, boy by the name of Ethan Madden.

As he described it to the rest of the town, Ethan’s experience went like this: he set up a camping chair by the pipe, intending hours of listening. He caught faint snatches of conversation. Nothing important, some couple arguing about who was to take a mysterious “her” up to the city. There was a flat silence for all of six seconds, and then the scream.

The scream was so loud that Notch Evans, the man with the house closest to the road, could hear it. Ethan swears he’s still deaf in the ear that was facing the pipe. The scream went on for hours. 3 hours 25 minutes to be exact. In the wake of such a noise, the silence seemed to ring. The whole town camped around that thing, even 93-year-old Mrs. Van der Waals struggled up the hill. All eyes trained on that pipe, waiting for the next sound.

What came next was a cacophony, decipherable to no one. Occasionally there were snatches of quiet, leaving orphan phrases to be interpreted. A man called Mark shouted for Melissa to bring the kids. Ten-year-old Mark Drisson blushed and looked at the ground, not at Melissa Eckhart. Men called to each other to patch the hole where Notch’s place stood with parts of the roof. Notch drained of all color. On and on it went like that. Some terrible catastrophe was befalling the town, one they could only partially discern. Was it a flood? Earthquake? On they listened, eager for any information that might help avoid the end.

At 2:14 pm on June 6th, amidst the roar of a crowd in turmoil, the pipe went silent. And silent it has remained ever since.

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Dave’s Blue Hole

Dave’s Blue Hole is an unusually deep freshwater spring located outside of Gunsmith, Colorado. The actual measure of the hole is unknown; the last attempt bottomed out at 115 meters before the surveyor ran out of line. The water becomes anoxic at about 43 meters. After the incident of 1988, the spring has been capped indefinitely by a metal gate. Dave’s Bait & Wait remains standing beside the entrance to the pool, abandoned after tourism dropped off completely.

The first recorded description of the spring comes from a Spanish traveler’s diary dated 1796. The writer, a Franciscan friar on his way to San Carlos, detailed a stop at a place sheltered by high bluffs. Within the cliffs, they found an unusually round spring that produced clear, crisp water. Another member of the traveler’s group fell into the spring and sank out of sight almost immediately. The group cast lines into the hole to no avail. What’s more, they found through experimentation that the water had almost no buoyancy. Light things like sticks and even folded paper would not stay on the surface for more than a moment.

The traveler also noted the existence of a petroglyph on the bluff immediately above the spring, depicting a whale-like creature. The petroglyph has been all but worn away in the intervening centuries. The rock where it sat now contains only a few faint lines.

The parcel of land where the hole lies was purchased by one David Killigan in 1860 for the princely sum of $.35 per acre. He initially intended to mine for silver but found the novelty of the hole too striking to pass up. He built a store in hopes of attracting travelers en route to the rockies, touting the supposed restorative powers of the spring. The place became a local fixture, Killigan a tolerated eccentric that added color to the countryside. When he disappeared in 1876, it raised a mild furor. Killigan’s lantern was found placed beside his shoes at the rim of the spring. A line was secured to the nearby horse-hitching post and led down into the water, upon retrieving the line they found it had been tied into a series of knots to serve as a ladder. Neighbors in town had heard him complaining of mild temblors coming from inside the spring just a few days prior. He had possibly entered the waters in hopes of discovering the source of the noise and fallen prey to a thermocline.

The shop passed from hand to hand over the years. It was a solid tourist draw, so the operation was run by an official town trust. The spring drew no more unusual interest until the onset of recreational diving as a pastime.

The spring had long been a draw for thrill-seeking divers when Mark Boyle attempted his descent on June 5th, 1988. The anoxic nature of the spring meant that many animal skeletons littered the walls of the hole. Divers who ventured past the indicated safety zone spoke of human skeletons glimpsed at greater depths, in numbers that might suggest human sacrifice. The spring had been equipped with a submerged gate that warned divers that venturing past that point was unadvisable. Mark’s plan that day was to do exactly that.

Mark had brought along two friends and a safety line as guards against a possible accident. Neither friend was diving-certified, nor did they have diving equipment.

At 3:07pm, Mark went over the side of the spring.

At 3:46 the safety line began trembling. Mark’s friends became alarmed.

At approximately 4pm, the safety line went taut. Mark attempted a rapid ascent, too rapid. He showed signs of decompression sickness when he surfaced, slurring his words and lacking coordination. As one friend raced to call an ambulance, the other attempted to administer first aid. Mark rambled about something that lived in the waters of the spring, that the spring was really just a small outlet of a much-larger subterranean body of water. He was incoherent when the ambulance arrived. He fell unconscious on the way to Gunsmith’s only hospital and died a few hours later.

After an inquiry, a second gate was set on the mouth of the spring and welded in place. Through possible corruption due to metals fallen into the spring, the water has taken on a corrosive effect. Seismic activity in the region has increased steadily since 1988.

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Hen’s Teeth

There was a large, grey egg under Norma. Norma was an Araucana, her eggs had always been light blue. What’s more, the egg was almost twice the size of a regular chicken egg.

“Whatcha say, Norma,” Denise said half in jest, “you take up with an ostrich?”

Norma was their only brooding hen, the only animal left on the farm after old Hep had been hit by a passing semi. Mitch thought it would be just fine to get along without animals on a farm that didn’t grow anything.

“Talk to me, girl.”

Norma’s eyelids were rolled up over her eyes. She seemed to tremble a little with the sharp breeze that stitched through the open coop slats. Denise set her gently down over the monstrous lump, making sure it was in the gap between her wing and body.

“Wherever you found it, you can keep it,” Denise said.

Mitch had draped the kitchen table with newspaper as he disassembled a motor. Denise set the empty egg basket on top of the fridge and picked up a rag.

“Old girl not laying?” Mitch’s tone was light.

“Damndest thing. She’s got a big ol’ grey egg out there. You think it come from a pheasant?”

“No damn pheasant I know lays grey eggs. Maybe she just needs a creme rinse. What color you call that?” Mitch pointed to her hair with an oily finger.

“Barn slat brown.” Denise flicked a ragful of crumbs at him. It was their way, the shape that love took between them.

 

The next day, the feed lay in the same place where she had scattered it. Denise frowned and put today’s scoop back in the can.

Norma was still in her little henhouse, one little cubby out of twenty. Norma had come with the house, same as the coop and the barn and the fields that were growing a fine crop of thistles. Even the man who sold them the place didn’t know how old she was. Maybe she’d gotten something rotten inside, something twisted around wrong, and she’d laid the last egg she’d ever lay.

Denise felt her little cheek patches. Were they supposed to be warm? Norma shivered in place, not stirring when Denise checked beneath her. There was the grey oval and beside it was the blue shell and saffron yolk of a smashed egg.

“Oh, hell.” Denise picked up the remnants of the wasted egg, as if that would fix anything.

“Whatcha after?” Today Mitch was staining a tobacco box.

“I’m mixing some cornmeal with water and give it to her with an eyedropper. Poor girl’s so weak she can’t come down to feed. She’s et her own.”

Mitch snorted. “Why don’t you mix her up some formula while you’re at it?”

“Don’t make fun. She’s in a bad way. Maybe we should take her to the vet.”

“Might as well take a field mouse to the vet.” Mitch wiped his hands on an oilrag. “Or even a fly.”

“I’m serious.” Denise set her hands flat on the counter. “I can’t just let the old girl go. She’s like…”

The air between them was as familiar as the track worn in the carpet from their bedroom to the bathroom. Mitch stood up suddenly.

“Up to bed,” he said, “I want to show you something.”

From the second floor, Denise could get a good look at the corner of the coop. A large pinewood box, built for many chickens before factory farms put them out of business.

No, wait. Had it been before that? Something gone bad, left only Norma?

“I don’t know why it sticks me,” she admitted, “I just—”

He said, “hush,” and they did what many couples do when they are left to their own devices in the middle of a slow day.

 

Mitch’s shout brought her from the cellar the next evening. She set down a can of preserves and hiked to where Mitch had built his work bench. “Catch your finger?”

Mitch stuck his thumb in his mouth. “Damndest thing. Some little sucker stuck me. Look over there.”

Denise looked. On the windowsill lay a deflated hornworm. The corpse was wreathed by dozens of little cotton cocoons no bigger than its eyespots. Denise felt a little chill go down her spine.

“Tobacco worms.” Mitch nodded. “I remember now. The man who had this place before couldn’t make a go of it, too many of them. He imported these little cotton wasps as a last gasp, but I guess they didn’t do the job.”

“He just ordered them?” Denise frowned at the little fiber pills. There was something unwholesome about their dust-colored thread. “How’s a man do that?”

“You can order ladybirds to eat the aphids, can’t you? Don’t see why this’d be any different.” The spot on his thumb swelled, denting in the middle. “Hell, it really stuck me. Better get the baking soda.”

“Cider vinegar,” Denise called after her husband, not turning from the cocoons.

Norma had been huddled into herself that morning, not even opening her beak for an eyedropper of corn mush. The blue egg beneath her had been whole this time, but the grey behemoth retained its place of pride. Denise had taken the blue egg inside and cracked it into her enamel mixing bowl. The yolk was a black tangle and the white was brown. She’d dumped it before Mitch could see.

So Norma was going to die. Denise knew, and perhaps had known for a long time, but something about it wasn’t sitting right with her. She wanted someone else to witness it, to confirm the wrongess of it, but she didn’t have the words to make her husband understand.

“Denny, where’s the gauze?”

Denise went to make herself useful.

 

Denise had a nightmare. Like many of the nightmares she had, it involved her husband. They were sitting around the table like always, but everything was wrong. They were both just empty, slippery skins being manipulated by something within. It was truly terrible to see Mitch turn to her, that familiar face collapsed into a hollow mask, and drop the same wink he had honed over decades of their marriage.

There were other things, murky things she forgot the second she woke. Early pre-morning light leaked into their bedroom. Mitch lay half on his side and made a buzzing sound that wasn’t quite a snore. It reminded her so vaguely of her unpleasant dream that Denise got out of bed, bare feet cringing at every creak of the floor.

The coop was still dark. Denise shuffled inside, not knowing exactly why she’d come there, but unable to find a good enough reason to turn around and get back into bed. In what little light was available, Denise could see Norma’s silhouette as she shuddered with breath. She was close to the end.

Denise drew up close. In this meager light, Norma’s lids looked almost sunken. Her breath came erratically as if she were trying to breathe at a different speed with each lung.

Denise put her hands up to the chicken’s neck. Her stomach sank as the skin depressed without resistance, only the stiff cage of backbone held chicken’s neck upright. Her mouth ashen, her hands trembling, Denise lifted the bird.

Norma’s cloaca was gaping open and black, an evil smell drifted from within. The grey egg sat beneath her, as inscrutable as the day it had been laid. Denise put a fingertip out. The surface dented easily. The egg was not shell but a soft material, resilient enough to spring back once she removed her finger. When Denise turned the egg, she found a gaping hole at the other end of it where something had torn its way out.

The chicken still moved.

 

Mitch stretched as a beam of morning light roused him.

“Den?” He knew before he opened his eyes that the bed was empty.

The kitchen was cold, the fry-pans hung in their place by the stove. “Denny? Where you been, girl?”

The truck was still in the driveway. No quilted nightgown-wearing figure sat on the porch swing or reclined on the couch.

Mitch stood barefoot in the yard. He noticed the door of the coop hung open.

“Denise?” He stalked through wet grass, dismayed at the stillness within. “Denny? You ain’t still broken up about that hen, are ya?” He stood at the threshold of the door, peering into the dim interior of the coop. “Denise? Denise? Denise?

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Mulberry Leaves

There is a nameless shrine on a mountaintop somewhere in the Nanpo islands of japan. Maps do not list it, and the torii crowning the entrance has been buried. A single red lacquer horn is all that exists to show the way to this shrine, which lies up a difficult incline of 108 steps.

The body of the shrine itself was constructed of driftwood and fitted together without nails. The only adornment of the shrine is a hemp rope bearing two ragged rice paper shide.

In this shrine is a mulberry tree. No matter how many years pass, this tree remains exactly eight inches in diameter. Instead of fruit, the tree bears silk strands.

There is a village at the foot of this mountain. They have no record of any shrine, only that the village once produced fabrics of the finest caliber during the Tokugawa shogunate. Villagers will blithely say the silk was imported, that no mulberry has ever grown on island soil. Invite them to the mountain, they will decline. There is nothing up there, why bother?

The mulberry silk strands are unusually tough and course, many magnitudes thicker than that produced by Bombyx mori. Coring the trunk is inexact, for the wood had a plasticity not common in the mulberry family. The only factor restraining regular harvest is that the silk, once plucked, takes many weeks to grow back.

In the village of this island, there were five founding families. Five homes producing silk. This is evident in the tax records of the Edo merchant who imported the fabric. Then, suddenly, there were four families. Why? Where did they go? Modern villagers will shrug their shoulders. Lots of things happen in a few years. Battles are found or lost. Ships crash. Why bother digging up the past?

Examination of the tree roots will turn up another anomaly. At the end of each root is a peculiar oblong scale. Tests of these scales show that they are not wood but a protein structure unique to the tree. Attempted removal only results in an excess of sap flowing from the point of injury.

Tax records from mainland Honshu tell of a time of unrest on the island. A dip in both quality and quantity. A peculiar red, unique to the island, vanished from the shipment forever. A note of usury from the silk supplier, demanding to know the whereabouts of a third of the raw materials. And then…nothing. The next year shows a slight uptick in production, minus the red fabric. The village no longer produces silk, getting by on subsistence farming and fishing in the modern day.

There is a matsuri unique to the island, taking place at the end of spring. Thirteen square holes are dug, and straw dummies that have been beaten with farm implements are places in the holes and set alight “to salt the ground.” Minor excavation of the festival grounds have turned up roof tiles, indicating there was once a house on the land.

Every spring, as matsuri lanterns light up the village at night, the tree weeps sap.

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A Series of Museum Samples, Labeled Accordingly

Box #: 2376

Contains: Homo interstella

Description:  Species adapted to life in the vacuum of space.

Distinguishing features: Relatively fragile skeleton. Expanded ribcage for increased lung capacity. Skull capacity of 1600cc. Abdominal implants to aid in the voiding of waste.

Added notes: Only intact specimen, the rest lost after orbit decay.

 

Box #: 8446

Contains: Homo proelius

Description: Species specifically engineered to serve as soldiers of war. Possessing an unusually dense skeleton, fast-twitch muscles, and a metabolism 4.8X higher that of Homo erectus.

Distinguishing features: Abnormally enlarged canines. Rapid maturation rate. Sagittal crest, indicating jaw strength equal to a common Pan troglodytes. Vestigial genitalia.

Added notes: Average lifespan of 6-8 years.

 

Box #: 5610000

Contains: Homo radiensis

Description: The skeleton of a species that chose to inhabit the surface contaminated with nuclear fallout.

Distinguishing features: Degraded skeletal structure due to the metabolism of radioactive agents. Jawbone has dissolved from  body processing Strontium-90 as calcium. Skin covered with carcinomas and sunless “Chernobyl” tan.

Added notes: Specimen emits 2.6 Sv of radiation at all times, box must be lead-lined.

 

Box#: 100078684

Contains: Homo cardifferi

Description: Specimen taken from a failed colony at Cardiff.

Distinguishing features: Due to a genetic bottleneck, specimen is possessed of several recessive genetic traits as well as an enlarged heart and other physical ailments. Skeletal structure indicates the specimen was unable to walk or sit upright due to crippling arthritis.

Added notes: Specimen was four years of age.

 

Box #: 42X1034

Contains: Homo bovinus

Description: Species specifically designed to serve as supplemental food source.

Distinguishing features: Shortened limb growth. Abundance of fatty glands and outsize sexual organs. Implanted rumen to aid in the digestion of a vegetation-heavy diet. C-curve of the spine, indicating the specimen was quadrupedal.

Added notes: Brain shows signs of heavy protein starvation, limiting neural activity.

 

Box #: 86X1090

Contains: Homo kelvinus

Description: an attempt by scientist Homer Kelvin to repopulate the earth through genetic manipulation.

Distinguishing features: none.

Added notes: All specimens genetically identical to Dr. Kelvin.

 

Box #: [number is scratched out]

Contains: Homo aeturnus

Description: The last, the ultimate human being. Man, so warped by his own hand, sought to engineer the architect of the end. A specimen that would live a span of indeterminate longevity, created for the sole task of categorizing his fallen brethren.

Distinguishing features: Lack of genital structure. Cells infinitely capable of producing telomerase, escaping the Hayflick limit. A skull capacity of 2800cc.

Added notes: The box is empty.

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Huntington’s Masked Petrel

Huntington’s Masked Petrel is only found on one island in the Pacific. They’re pretty big, as far as flighted seabirds go. Only the Wandering Albatross can match it in mass. Like the name indicates, they’ve got facial markings that make it look like they have black masks. It sets off their deep crimson eyes. What really makes them stand out, though, is the presence of rudimentary dental structures. Yes, they have teeth. Crude teeth. Willard Huntington called them the missing link between dinosaurs and modern-day birds.

And almost nobody believes they exist.

Willard Huntington tried to shop around various scientific societies, pleading his case with what little evidence he could get off the island. You see, the Petrels are very into recycling. The second a bird falls down, the others are all over it. They’ll eat feathers, eggshells, they’ll even crack bones to get at the marrow. Huntington lost his pinky finger just to get the fragments of an egg.

The Audubon society took one look at it and dismissed it as belonging to an already existing species of Petrel. Huntington fought his whole life to get his namesake recognized, taking a yearly expedition to the island. When he kicked the bucket, you’d be forgiven for assuming that was the end of it.

Not for our great-uncle Norman.

Norman was only a teenager when he went on the first expedition with Huntington. He was hooked. By the time Huntington kicked it, Norman was carrying the torch. Even after the few disciples that Huntington gathered got older and died off, Norman was still going strong.

The island the Petrels live on is so small it doesn’t have a name. Norm took to calling it “Huntington island” in memory of the late professor.

Every year, Norman would travel out there. Every year he would take what little evidence he could gather and set up a little show in our living room, from super 8 to camcorder and eventually to DV. He would talk about the birds like they were pets, naming them things like “Scamp” and “Plucky.” We learned a lot from those lectures, and not just what Norman intended.

The Masked Petrel is a mean goddamn bird. The shape of the markings on their feathers makes it look like they’re constantly angry, which doesn’t seem far off. Any wayward bird that winds up on their island, they destroy. They will dive for fish and leave it to flop around on bare rock for a long time before pulverizing it with their beaks.

We saw a clip of Norm attempting to play with a Petrel. The bird gives him the most evil look as he teases it with a bit of oilcloth. The wind clouds up the mic as Norm says something like “got your hankie” and suddenly the bird strikes, rolling its neck like a snake. The camera shakes and dips for a second as Norm laughs and says “you naughty baby.” In the last few seconds of the clip, you can see his hand oozing blood.

Masked Petrels aren’t just mean. They’re damn smart. Crows are smart enough to make tools. Masked Petrels are smart enough to build houses.

I’m not exaggerating that.

The stone igloos started appearing after an expedition where their tent blew away, leaving Norm and the last surviving disciple at the time to build a wind break from the rocks that made up the beach. After that visit, they began finding crude stone structures that graduated from simple stone circles to domed huts, complete with keystone. Norm took a photo of his fellow Huntington disciple removing a stone so that the roof fell in, laughing and displaying the stone to the camera.

That man disappeared shortly afterwards, leaving behind his shredded anorak.

Crows are smart enough to hold a grudge. Masked Petrels are smart enough to hold a vendetta.

You may ask: with all this photographic evidence, why isn’t the Masked Petrel a recognized species now?

Well, because Norman had lost faith in the scientific community after the death of his mentor. I also believe he wanted to keep the bird, to have something entirely his own. He spoke to them like they were his own children.

Dangerous, irritable children.

Masked Petrels hate other birds. Norm filmed a wayward Puffin struggling in from the sea, only to get dashed to the ground by Masked Petrels. Rather than kill it, however, the Petrels seemed to take sport in throwing it around, waiting until it rose only to brutalize it again. The death took twenty minutes. It was hard not to hear the Petrel’s cries as mocking laughter after that.

The Petrels got smarter with every visit. The last trip Norman made with another person, something got into the ship’s cabin and tampered with the radio, shortening the signal so that if they had called for help, especially in such a remote corner of the ocean, no one would have heard them. The radio had been screwed back into place after the sabotage, the only reason they knew it had been tampered with was sheer coincidence. Norm’s traveling companion wanted to get a diet coke from the fridge and noticed a band sticker he’d placed on the radio casing was split at the seam.

After that, Norman couldn’t get anyone to accompany him to the island. So he went alone.

The colony on that island grew with every subsequent visit. Huntington’s first paper reports that “a handful…of these miracle creatures cling to life in a desolate waste.” On Norm’s last visit, he filmed an entire circuit of the island before landing. The Petrel’s nesting ground had grown to encompass half the land.

We begged him not to go on that last trip. It was too dangerous, and he was getting on in years. Shouldn’t he think about securing Huntington’s legacy instead?

Norm brushed it off. He had something new, something he wouldn’t reveal to us, that he wanted to document. He’d see us next August!

…no he wouldn’t.

We had always known how his death would come. On the teeth of cruel birds, or in travel to their home. Our grief period was condensed, because we had been mourning him long before his death. The footage of the birds was locked in a secure location, which Norman had written directions to in his own cipher. So we buried his memory in our hearts and thought our business with those strange birds was done.

Until recently.

I got a disc in the mail from a cousin of mine, belongs to a yachting club. You couldn’t pay me to set foot on a boat, so he gives me all sorts of nautical updates.

The label on the tape bears a number, 34.515611, -145.371083, and my cousin’s handwriting: “sound familiar?”

I stared for the longest time until it clicked: this was the latitude and longitude of my great-uncle’s precious island.

The disc contained one video clip, recorded by a French sailing yacht. There are repeated mutterings of what I can translate without help, some variant on “what is that?” The camera man shakily positions himself, auto zoom accidentally fixing on portions of the boat before he lifts his hand up and steadies his focus on the horizon.

There is a large pillar of smoke, like that of a burning boat. It isn’t until the cameraman zooms as far as possible, until the video distorted with digital fuzz, that we can see that the pillar isn’t smoke.

It’s Masked Petrels.

In the last few seconds of video, before the camera dips and cuts off, the massive flock seems to form a face with their bodies, a face which I have crept frame-by-frame countless times in order to properly identify it as my lost great-uncle Norman.

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Scenes from an Unaired TV Show

The reality television show Roughin’ It was meant to follow a typical fish-out-of-water format, as various c-list celebrities attempted to live on a ranch according to frontier restrictions. 1200 hours of raw footage, roughly equating to 10 episodes, was shot before the network pulled the plug. Due to the near-total death of the cast, the footage was shelved indefinitely following criminal proceedings. Repeated viewing of the footage has allowed investigators to construct a rough timeline from the inciting incident to the final episode.

 

Incident #1

[exterior. The cast had gathered for the day’s challenge: assemble an ancient wash-mangle and do laundry. Celebrity chef A_____ and actress J_____ are conversing as they sort through machine parts. P_____, contestant from a previous year’s reality show, is sitting on an overturned trough attempting to roll his own cigarette.]

A:—and I mean, it’s not that I, like, hate it—

J: —no, you don’t really know enough to hate it—

A: —right. It’s just that I haven’t had a good experience so far and I need, like, a manual or something—

[P_____ drops his rolling papers and swears.]

A: *laughs* gonna have to bleep that one.

J: *joins in the laughter.

[K___, a transplant from a reality show about vintage cars, approaches the two women]

K: Okay, so we’ve got, like, thirteen moving parts, and then we’ve got this gizmo—

J: Oh. Hey. [She is looking somewhere off camera.]

[K stands up and follows her line of vision. He appears to follow the approach of another person with his gaze. K nods affably.]

K: Oh, hey [inaudible].

 

This footage is notable as containing the first appearance of what is most likely a shared delusion of another contestant. The cast would continually refer to a figure that did not appear on camera as if it had been part of the cast from the beginning. No microphone, whether it be worn by a cast member or fixed to a tripod, was able to pick up a name. The figure’s appearance marked a dramatic and ultimately violent turn to events, as cast members began acting upon orders not issued by the network but by said figure.

 

Incident #2

[The “cow pie toss.” Actors were encouraged to toss “cow pies” fashioned from wet clay as far as they could. The winner, predetermined by the network, would win a phone call home and a sports drink. Y___, a runner-up in a national singing contest, was the predesignated winner. The event director was coaching her on her performance in the contest.]

Director: Okay, now I really want you to play up the smell of these things, okay?

[Y___ makes a noncommittal noise and tosses some hair behind her shoulder.]

Director: Like, really—pretend it’s doggy doo.

Y: So are cow pies, like, poop? I never knew *director speaks, rendering the rest of her sentence inaudible.*

Director: Look, honey, I just want a lot of “yucks” from you, okay?

Y: Should I take off my heels?

Director: No, leave ‘em on. It’s better—it’s good for the show, okay?

[the director turns to instruct P_____ on something. Y___ relaxes slightly, shifting in her stance. Y___ stays in neutral position for 23 seconds before appearing to notice the approach of an unseen figure. She mouths “hi” and holds an inaudible conversation with her back turned to the camera. The Director calls for all cast to take up their positions. Y___ appears to finish her conversation, smiling and nodding. As soon as “action” is called, Y___ trips P_____ and presses his head into the mud.]

Director: Stop! Stop! Are you crazy?

Y: I know what I’m doing, jeez.

Director: Let him up, he’s—man are you okay?

P: *coughing* What the fuck, Y___?

[Y___ shrugs.]

Director: Look, sweetie, improv is not your strong suit. So just stick to the outline, okay?

[Y___ shrugs again.]

Director: okay, are we all on the same page? Action!

[Y___ promptly repeats her previous actions, this time crawling on P_____’s back to press his face into the mud.]

Director: Cut! Cut!

 

The cast began to deviate from studio-issued orders on events. Due to the hectic nature of the shooting season, the bulk of the footage was shot by stationary cameras hidden in various points around the ranch while live crews were called in only for supervised events. Behaviors that might have called for an early end to the show went undetected, perhaps facilitating the breakdown of order within the group.

 

Incident #4

[“Campfire” segments were shot as a sort of break between scripted activities. Cast were allowed to set up the camera as long as they made sure they were all visible in-frame. Cast members T___ and R__ were seen to have a budding relationship spark and encouraged to play it up during shooting hours. During this campfire segment, T___ and R__ sat off to one side, sharing a blanket.]

P: *holding a stick and digging into the fire* …and I just wonder if it’s all worth it, sometimes.

K: You can’t think that, man. Like, if everyone thought like that, like, no one would get anything done, ever, you know?

[T___ and R__  simultaneously look to a point off camera. They hold their gazes for ten seconds. The couple then turn back to one another, blank of all expression. They hold a rapid-fire conversation that does not slow or stop once for the entire segment. Their body microphones pick up no audio.]

A: So, what, I have to just keep chugging along, just because I need to?

K: Well, yeah. You have to think of it like—

[K___ suddenly undergoes what appears to be a seizure. He drops his ams to his sides and makes a buzzing intonation in his throat. Drool can be seen escaping his open mouth. His face is tilted roughly up to the night sky. During this period, A_____ and P_____ behave as if nothing remarkable is happening. The entire event lasts three minutes.]

K:—holistically, like, we’re all connected, you know?

[Conversation resumes as if the pause did not happen. In the background, T___ and R__ sit facing one another, mouths hung open, for the rest of the footage.]

 

Incident #5

[The cast was instructed to milk a cow. Instead, after conferring with the unseen figure, they slaughtered the cow and skinned the body. The cast continued to act as if nothing was out of the ordinary, assuming the playful nature they used for scripted events. J_____ picked up a femur and pretended to play it like a flute. T___ and R__  began a splash fight with cow viscera. Once the cowhide was completely removed and put into a barrel to tan, the cast stood still and faced the open doorway of the barn, uttering the same low intonation. This went on for an hour.]

 

The cast’s behavior became increasingly erratic. However, because they did not shed their on-camera personas, they largely escaped detection by the live crews. One noticeable shift was that P_____ became a whipping boy of sorts. Everything that went wrong was jokingly blamed on him. Other cast members would frequently point to him and make a throat-slashing gesture, which he would return with a thumbs-up. The filming crew did not think this odd. P_____ had been set up as a martyr from the planning stage: his departure in the mid-season finale was meant to be a ratings boost. However, crew found the cast’s increasingly sadistic treatment of P_____ disturbing.

 

Incident #6

[A simple relay race, played with lumps of coal. Y___ can be seen horsing around with T___ as  R__, confined to another team, looks on with a slight frown. P_____, back to them, turns around and accidentally knocks a piece of coal out of Y___’s hand.]

P: Whoops! *chuckles*

Y: Boy, looks like you better eat what you spill, P_____!

[P_____ laughs as he gets to his hands and knees. The director can be heard shouting as P_____ cracks the lump of coal with his teeth. The cameraman zooms in long enough to catch a small amount of blood trickling from his mouth before the director calls cut.]

 

Incident #7

[The cast’s assignment is to draw a map of the surrounding area. Instead, they gather at a granite formation and hold an extended conversation with the unseen figure. Having discarded their body microphones, the only evidence of this occurrence is a camera set up on the barn roof to capture establishing shots. The cast returns after three hours. The paper that was suppose to be marked with the map instead holds a 27-point star. The cast insists that it is a map of the area.]

 

Incident #8

[A gaffer is setting up for a scene. K___ is lounging off to the side, holding an idle conversation. The gaffer is apparently only half-listening during this exchange.]

K: …and it’s just like, it’s always been there, you know?

Gaffer: Mmm.

K: Like, east and west, those are just human determinations, you know? The only real direction is inside.

[The gaffer puts a length of tape down and scatters straw over it.]

K: I could die tomorrow and I wouldn’t really be dead. Just shed another layer. I want to eat the dead skin from the outside of me, give me life for my new rebirth.

[The gaffer checks off points from a clipboard.]

K: P_____’s the one. He will open the way for the rest of us. I’d like to sup his misery and call it wine. The only way out is inside. The only way inside is through. Like [inaudible] said. Got to cut, cut, cut away the fat.

Gaffer: *finally appears to tune back into the conversation* Wait, what?I

 

The cast’s erratic behavior finally began garnering attention. The director called a meeting and informed the cast that they must behave in line with the contracts they signed with the studio. The cast greeted this with puzzlement, claiming they had been. P_____, despite having to get medical attention for injuries sustained during the coal-eating incident, denied any wrongdoing.

 

Incident #9

[R__ and J_____ are preparing a dinner of shoo-fly pie and boiled potatoes. R__ is kneading dough. J_____ peels potatoes while speaking at great length in a monotone.]

J: They lived here 12,000 years ago, when man was still sucking at the teat of summer. Slipped their skins every solstice and made wild. Descartes was wrong. There is no sun, there is only the illusion of light reflected in the moon. Man is a peach in the eye of god. God is a leaf in the eye of [inaudible]. 12,000 years is nothing to the stone. Man is carved from his own excrement. Life is a face laughing at the mirror. When I die it shall be to plant my own future. I will slip my own skin and slither into eternity. *she drops her peeler into the boiling pot and reaches in to grab it without hesitating or flinching. After retrieving it, she shows no sign of pain despite her skin visibly reddening on camera.*

R: I want to be sliced like a pear. My blood a gown. My entrails the crown.

J: *puts a hand on her shoulder* Time is the flight of a dead sparrow.

[the two women finish dinner without further comment.]

 

Due to increasing disquiet with the cast, network handlers were dispatched to supervise the remainder of the shoot. They arrived to find the ranch empty.

 

Investigating the surrounding area, they found the cast at the nearby granite formation. The cow hide they had tanned had been cut into a single strip of rawhide, which was then used to mark a 27-point star over the whole formaton. After setting up a stationary camera, the cast then ritualistically sacrificed P_____, who continued to smile and laugh during the entire process. The footage past the point where they began flensing his torso distorts almost irretrievably, repeated viewings have only been able to pick out several images. R__ stabbing J_____. K___and T___ painting an intricate symbol on the granite in blood. Y___, bare breasted and seizing in what appears to be religious ecstasy. P_____’s skin, hung up on a crude framework, flapping in a sudden breeze.The entirety of the cast staring at a single spot in the camera lens.

 

The cast was found dead, having attempted to flense their own skin off. The only survivor, oddly enough, was  P_____. The actor was flown to a nearby hospital where he was put into a medically-induced coma. His body lingers on, despite repeated rejection of tissue donations. His family is currently fighting a legal battle to withdraw life support.

 

This footage was compiled as evidence and promptly shelved after the trial. Do not reproduce.

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